For much of this century, Mike Patton and the band Tool have loosely intertwined with each other like a pair of earbud cords that occasionally gets tangled. Fantomas opened a big amphitheater show with the legendary prog metal quartet in 2017. Patton and Tool singer Maynard James Keenan have shared festival bills together with some of their less mainstream side bands.
And when asked if Tool had given him any inspiration as an artist, Patton told Revolver magazine in 2008, “They give me hope that not all huge bands are pompous, clueless, drug-addled morons. That, and I steal lots of fashion ideas from Maynard’s stage wear.”
Tool members appreciate Patton and his bands, as seen when drummer Danny Carey scared the shit out of Patton by appearing on stage at an FNM show…
And Patton appreciates Tool, as he made clear in 2002 when Tomahawk was set to go on as the band’s opener.
“[Tool] are friends of ours and I guess they like our band,” Patton said, via Blabbermouth. “God bless them that they have the balls to follow through with their instincts. I’m sure that there were a billion and one people trying to talk them out of it because we don’t sell a lot of records and we’re not going to pay them to play with them. Basically, us being on this bill is not doing anyone any favors, industry-wise.”
Hell, they even enjoy going on log rides together.
(That’s Buzz Osborne from the Melvins in the back, Tool guitarist Adam Jones in the middle and Patton in the front.)
Anyway, I’m talking about Tool because I saw the band live on Tuesday. It was my third time seeing Tool—the first time came in 1996 when they played a big club, but a club nonetheless!, in Atlanta. After taking about a 20-year break, I saw Tool in San Antonio a few years back, and now, I’ve completed the Tool trilogy.
I imagine there are Patton-voiced songs that sound like Tool, but I can’t think of any off the top of my head. So, let’s listen to a heavy song at the tail end of Mr. Bungle’s Disco Volante album. Well, it gets heavy eventually. But it’s a little too long (like many of the songs on Tool’s newest album) and it changes speeds quickly and jarringly (unlike Tool). But it is heavy. Not prog metal heavy like Tool. But kind of thrash metal heavy.
Anyway, it’s an interesting listen. Just like most of Tool’s discography. It’s something I appreciate about Patton and Tool, and it’s apparently also something they appreciate about each other.
Previously from Disco Volante:
To follow along on the 365 days of Patton, click here for a list of each day’s post.