Monthly Archives: March 2020

On Tuesday, we told you about a new release for the Mike Patton/Anthony Pateras collaboration tētēma, so let’s keep the new Patton music train rolling down the track (so maybe the Patton from 1991 (and his Bungle buddies) can try to hop it).

Plus, Mr. Bungle is re-recording its 1986 death metal demo “The Raging Wrath of the Easter Bunny,” and Tomahawk reportedly is back in the studio to create its first album in seven years.

It’s a Patton-copia of new music during these tough times! And that includes Patton’s guest starring appearance on Zeus!’ cover of “Human Fly,” originally recorded by the Cramps in 1983.

Considering I’ve never heard the Cramp’s version of this song, this is an interesting tune. On this newest version, there are bits where it sounds a little like Fantomas, a little like Mr. Bungle, and a little like Tomahawk. But more than anything it’s just a fairly standard rock song with Patton singing about being an insect (though the song itself actually sounds a little more interesting (and a little more punk) to me than the Cramps’ version from 37 years ago).

Here’s what the original sounds like.

Revolver said Patton’s version took “the already freakishly fun song to depraved new heights.” But for me, I don’t love it. I don’t hate it. It’s just fine.

In fact, I kind of like the way it was originally sung by Lux Interior and the way he buzzed. Which just goes to show that even though Patton is masterful in the vast majority of his covers, sometimes the original is hard to beat.

Previous Patton collaborations:

• “Soliloquy” (tētēma) (Day 76)
• “Bird’s Eye” (Patton/Serj Tankian) (Day 67)
• “Chansons d’Amour” (Patton/Jean-Claude Vannier) (Day 63)
• “On Top of the World” (Patton/Jean-Claude Vannier) (Day 53)
• “Catch My Heart” (Bohren and Der Club of Gore) (Day 49)
• “Kool Aid Party” (Team Sleep) (Day 36)
• “Lost Weekend” (The Qemists) (Day 35)
• “No Flag” (Dub Trio) (Day 26)
• “Pig Latin” (Dillinger Escape Plan) (Day 20)
• “Everything’s Alright” (Neil Hamburger) (Day 19)
• “Lookaway” (Sepultura) (Day 4)

To follow along on the 365 days of Patton, click here for a list of each day’s post.

About a month ago, I had never heard of tētēma. I didn’t know who was in tētēma (nor did I really care). I didn’t know what a tētēma was. And I didn’t know what kind of music I should expect from a band called tētēma.

Turns out it’s a Mike Patton collaboration with Anthony Pateras, an avant-garde musician from Australia, and according to Ipecac, Patton’s record label, it plays “modernist electro-acoustic rock.” Whatever that is. There are actually four people in the band, and its second album will be released in April (the fact Patton had a band I’d never heard of until recently that had already released an album, like, five years ago kind of disappoints me but also doesn’t surprise me).

As for what it sounds like, Ipecac’s press release states, “this record continues to employ the wayward orchestrations and arresting physicality of their 2014 debut Geocidal, yet is renewed by a melodic language which grounds its multi-colored twists and turns in hallucinatory lyricism.”

Okie doke.

Let’s give it a listen, then.

So, that was interesting. Or as Pateras said, “No other band would combine microtonal buchla with hyperactive drumming to serenade Paganini and Leonard Cohen passed out in a hot tub. This track is like pressing fast forward on both a [Giacinto] Sclesi and Yasunao Tone CD on different systems pointed at each other, except it’s performed live. Quite possibly the only track in the world to refer to Deleuze as ‘chichi.’”

I have no idea what any of that means.

But to me, the music sounds like electronica fused with Patton’s screaming and shouting (with maybe hints of a little bit of prog rock?). That’s something I’ve never heard from Patton before. I didn’t love it, and I didn’t hate it. I also probably wouldn’t mind listening to it again.

Previous Patton collaborations:

• “Bird’s Eye” (Patton/Serj Tankian) (Day 67)
• “Chansons d’Amour” (Patton/Jean-Claude Vannier) (Day 63)
• “On Top of the World” (Patton/Jean-Claude Vannier) (Day 53)
• “Catch My Heart” (Bohren and Der Club of Gore) (Day 49)
• “Kool Aid Party” (Team Sleep) (Day 36)
• “Lost Weekend” (The Qemists) (Day 35)
• “No Flag” (Dub Trio) (Day 26)
• “Pig Latin” (Dillinger Escape Plan) (Day 20)
• “Everything’s Alright” (Neil Hamburger) (Day 19)
• “Lookaway” (Sepultura) (Day 4)

To follow along on the 365 days of Patton, click here for a list of each day’s post.