365 Days of Mike Patton: “Lookaway,” Sepultura (1996)

The Hard Times is an Onion-type satirical news site that focuses on music, mostly metal and punk. I don’t love it as much as the Onion, but sometimes, something it publishes really hits. This week, perhaps to commemorate the start of the 365 Days of Mike Patton, the Hard Times wrote a satirical story about Patton, titled “Mike Patton Runs Out of Bands To Be In.”

It’s an amusing piece of work, as the site quotes Patton saying, “At this point, I feel like I’ve done it all—literally, I’ve provided some sort of vocal arrangement for every musical act in the world. After my album of harmonized, guttural sing-shouting with an uncontacted indigenous tribe deep in the jungles of New Guinea, I realized it was probably time to call it a career.”

And … “It’s tough to say what is next—I’ve already been in bands with everyone I know. Wait… was I in Sepultura yet? Crap. I think I was.”

Yes. Yes he was. Sepultura is a thrash metal band from Brazil, and though I haven’t spent much time studying the band’s discography, it did collaborate with Patton for a song called “Lookaway” on the Roots album. The tune also features Korn singer Jonathan Davis and Limp Bizkit’s DJ Lethal (I CANNOT wait to one day tell the tale of seeing Limp Bizkit open for Faith No More in Atlanta in 1997).

Anyway, “Lookaway” features Patton’s deep growl, a chant and plenty of screaming that wouldn’t be out of place in one of Patton’s most recent projects, Dead Cross. Here’s a live version.

It’s not my favorite Patton song, but hey, props to him for mixing it up with Brazil’s most famous metal export (according to this list, at least).

A couple of years ago, Davis drew some controversy when he claimed that Sepultura’s Roots album was a blatant ripoff of Korn. Guitarist and founding Sepultura member Max Cavalera responded to that by saying, via Blabbermouth, “Mike Patton was on the song, and Jonathan’s a huge Faith No More fan. He was actually freaking out that Patton was there. He was really nervous, which was actually kind of funny. He kept chewing on his hair the whole time he was in the studio.”

According to Cavalera, Patton started singing an Indian chant in the studio, giving Cavalera goosebumps.

“It was so intense,” Cavalera said. “He showed up in the studio with a Samsonite briefcase. I was like, ‘Mike, what’s up with the briefcase?’ He said, ‘It’s what I need to record.’ It had an echo pedal inside for his voice and a bottle of wine. He opened the wine and we drank it. At one point, the three of us were on the floor of the studio going crazy and making weird noises and sounds.”

It’s no “guttural sing-shouting with an uncontacted indigenous tribe deep in the jungles of New Guinea,” but it sounds exactly like a Patton jam nonetheless.

365 Days of Mike Patton: ‘Epic,’ part 3 (of 3)

“Epic” will never go away for Faith No More.

Even after the band broke up in 1997 and then reformed in 2010, that wasn’t nearly enough time for fans to forget about the song, which peaked at No. 9 on the Billboard charts in 1990. So, after FNM got back together and toured European festivals (and eventually the U.S. in 2015), the band still played the song. But it wasn’t the show closer, and it wasn’t featured in the encore. FNM certainly didn’t open with it. Instead, “Epic” was usually stuck in the early to mid-part of the setlist.

When I saw FNM in Austin in 2015, it was song No. 5 out of 18, and it’s an interesting comparison to how Patton used to sing it.

 

Considering that tune is 30 years old, it’s not hard to imagine that the band is tired of playing it. But FNM plays “Epic” because it has to (and because the fans demand it). As bassist Billy Gould said all the way back in 1992, via FaithNoMoreFollowers.com, “It seems sometimes kids turn up just to hear that one song. We’re like, ‘Stick around; we’ve written all these other great songs, you just might like ‘em.’”

These days when FNM plays the song, there’s no nasally-voiced Patton. He screams the lyrics a little more. The energy isn’t necessarily the same either. After all, he’s 51 years old now (and in his late 40s in the video above), and not some 23-year-old kid like he was before.

But he still hits the high notes, and you know what? It still sounds pretty damn good to me.

A few days ago, I wrote, “The truth is, I always feel like whenever I’m talking about Faith No More with somebody who doesn’t know much about the band, I have to qualify it with, “Well, most of their stuff doesn’t sound like ‘Epic.’”

For the rest of the 365 Days of Mike Patton, I’m excited to introduce you to the rest of his stuff.

Part 1 of “Epic” is here.

Part 2 is here.

To follow along on the 365 days of Patton, click here for a list of each day’s post.

365 Days of Mike Patton: ‘Epic,’ part 2 (of 3)

I don’t remember the first time I heard “Epic.” But I do recall watching Mike Patton and Faith No More on the 1990 MTV Video Music Awards. Mostly, I remember—and I relayed this the next day to my middle school buddy Phipps—that drummer Mike Bordin absolutely hammers the drums during the live show. And I remember Patton flopping around like a fish, just like in the music video, during the piano outro. It’s a fun performance.

 

Three months later, FNM played the song on Saturday Night Live, and I liked Patton’s vocal performance and his antics (he nearly got stuck in a fan on the set) even more. The power in this live performance is just … fantastic. It’ll knock you off your feet.

 

 

Sadly, these were some of the biggest mainstream moments for FNM and Patton (though there were also performances on The Tonight Show, Conan’s NBC show, and Arsenio Hall in the coming months and years). And to listen to the live versions, it’s hard not to still be impressed with the volume and the skill at which the band performed.

Yesterday, I wrote the studio track sounds a little dated to me. The SNL version above, though, sounds anything but.

Part 1 of “Epic” is here.

To follow along on the 365 days of Patton, click here for a list of each day’s post.

365 Days of Mike Patton: ‘Epic,’ part 1 (of 3)

If you know Faith No More and Mike Patton, it’s probably because you remember the 1990 hit “Epic.” It’s still played all the time on Sirius, and it was recently featured on the “What Makes This Song Great” series on YouTuber Rick Beato’s 686,000-subscriber strong channel. The truth is, I always feel like whenever I’m talking about Faith No More with somebody who doesn’t know much about the band, I have to qualify it with, “Well, most of their stuff doesn’t sound like ‘Epic.’”

Still, it’s Patton’s biggest hit, and it’s for good reason. It’s one of the earlier entries into the rap-rock category of music that exploded a few years later with Rage Against the Machine, the Judgment Night soundtrack, and the eventually success of nu-metal.

On the song—which came off The Real Thing album, Patton’s first appearance with the band—his rapping sounds like a Red Hot Chili Peppers tune, and his voice has that nasal quality he lost soon after (something we’ll revisit at another time). It was an undeniable hit on the radio (peaking at No. 9 on the Billboard charts in September 1990) and on MTV.

When Red Hot Chili Peppers singer Anthony Kiedis saw the video, he was not pleased. He told Kerrang! magazine, via L.A. Weekly, that “My drummer says he’s gonna kidnap [Patton], shave his hair off and cut off one of his feet, just so he’ll be forced to find a style of his own.” Later, in a RHCP biography, Kiedis said, “I watched [their] ‘Epic’ video, and I see him jumping up and down, rapping, and it looked like I was looking in a mirror.”

There’s plenty more that can be said about the relationship between Patton and Kiedis, and maybe we’ll write about it on 365 Days of Mike Patton.

To me, in the present day, “Epic” feels dated, maybe more so than any other FNM song, and listening to it sometimes feels like walking on glass. But I’d probably never have been an FNM fan if I hadn’t heard “Epic” when I was in middle school. Since that’s the case, I’ll always be thankful for it.

To follow along on the 365 days of Patton, click here for a list of each day’s post.

What are the 365 Days of Mike Patton?

Today is my favorite singer’s birthday. His name is Mike Patton, and he has a bit of a cult following. He’s best known as the lead singer of Faith No More—which is best known for the 1989 hit “Epic“ where Patton continuously asks the question “What is it?”—but he’s sung for countless other bands and musicians, including his most famous side projects Mr. Bungle and Tomahawk. The people who frantically follow him from project to project are die-hard, and when they recognize one another in public, the image is lasting.

An example: The other day I went into a Mediterranean place near work for lunch. The guy behind the counter who was about to cut some lamb for me looked in my eyes and said, “Hey, weren’t you the guy who likes Mr. Bungle?“ He knew that because about a year ago (or more), I wore a Mr. Bungle T-shirt while ordering lunch from him and we spent a good 10 minutes talking about Mike Patton. I hadn’t seen him since. But we remembered.

On New Year’s Day, I was looking at Twitter, and a baseball writer I follow named Al Mechior announced a new project. I guess he’s a big fan of the Grammy-winning rock band Toto, so he opened a new Twitter account called @ThoughtsToto, where he’s in the process of drowning himself in each of the band’s albums and writing about each song in the band’s catalog. I thought that was a good idea. So, I kind of borrowed it. But I’m not opening a new Twitter account. Instead, I’m writing it here at joshkatzowitz.com.

For the next year or so, I’m going to write (most) every weekday about Patton’s songs and why we love when he sings them. Maybe there will be some anecdotes. Maybe there will be some history. Maybe there will be explanations on the ridiculousness of Patton’s vocal range.

Who knows.

Anyway, today is Patton’s 51st birthday, so today is the day I’m unveiling my 365 Days of Mike Patton. I’ll write about his songs. I’ll probably post some videos. I’ll talk about why I love them both. These won’t be long posts. I’ll get in and get out, so you and I can move on with our days. We love Patton, but goddamn, we don’t have to obsess about him for more than a few minutes at a time. I’ll plan to go for 365 days, but honestly, I don’t even know if he has 365 recorded songs. I guess we’ll figure it out as we go.

If you’re a die-hard Patton fan (and really, why else would you be here?), maybe you don’t love the idea of brevity. Maybe, like Patton sings in “Epic,” you want it all. But true to form, you can’t have it.

To follow along on the 365 days of Patton, click here for a list of each day’s post.

A longing for the past

I wrote this about a year ago. Just now catching up to post it.

A few days ago, we were in New York, and while meeting up with some co-workers at a bar in Brooklyn, I ran across a flagpole in front of the Barclays Center at the intersection of Flatbush and Atlantic Ave.

 

https://twitter.com/ballparkpres/status/967479165602611200

The plaque on the flagpole reads as follows: “This flagpole stood in Ebbets Field until Brooklyn’s famed ballpark was torn down in 1960.” Ebbets Field was where the Brooklyn Dodgers played their Major League Baseball games before they moved to Los Angeles and became the Los Angeles Dodgers. They were also my Grandpa Dave’s favorite team.

I read the sign, and I suddenly felt a very real connection to my grandfather who’s been gone for nearly 20 years. He often wore a gray Brooklyn Dodgers T-shirt when my family visited him and Grandma Essie in Fort Lauderdale when I was growing up, and my mom told me that she had looked for that piece of clothing after he died. She never found it.

As I looked at the flagpole on that cold day, I was about two miles northwest of the actual site of the stadium where I’m sure my grandfather used to cheer for the Dodgers on warm summer afternoons as a young man.

In the past few days, I’ve been thinking about the past more than normal. I’ve always thought that if I had a time machine, I’d immediately go to New York City in the 1940s to see the men in their baggy suits and their wool hats, to ride the subway amid all the cigarette smoke, to catch an afternoon ballgame at Ebbets Field or the Polo Grounds, and to spend a day without worrying about what’s on the internet. Maybe, I’d even run into my grandparents in Brooklyn—to see what they were like before they had kids of their own (they apparently loved going out on the town—even after their children were born).

But my longing for a past I’ll never experience isn’t unique. Just now, I stopped a DVR recording of my favorite Twilight Zone episode. It’s called “A Stop at Willoughby,” and it’s about an ad executive from the late 1950s who is stressed by his job and his unsympathetic wife. One day, he falls asleep and dreams that the commuter train he’s riding has suddenly stopped in a town called Willoughby. He looks out the window and gazes at a scene where a mustached man is riding a penny-farthing and two barefoot boys are on their way to a fishing hole. A man sits waiting on a horse carriage, and musicians run through a parlor song on a bandstand in the middle of the town square. The conductor of the train tells him it’s 1888.

The episode continues with the ad exec daydreaming about Willoughby and trying to make his way back there. The episode ends in tragedy, but I’ve always appreciated that appreciation of history, and hopefully, my kids will one day share that same sense of wonder of what it must have been like in the days gone by. That’s why I’ve interviewed my parents about our family history. That’s why I’ll do the same for my in-laws. That’s why I interview the kids the night before the first day of school every year.

Maybe someday, the kids of my kids will stand at the former site of Fulton County Stadium in Atlanta and wonder what it must have been like when their grandfather cheered on the Braves in the 1980s, where the men wore mesh trucker hats, short jean shorts, and long, striped socks, where the place smelled like stale beer and cheap cigarette smoke. And for them, I have one clear answer:

It sucked. The Braves back then were fucking terrible.

 

Why Disney World is magic for parents, too

It’s been 10 months since our trip to Disney, and that means it’s finally the perfect time to post my memories from the vacation.

June 5, 2017 10:11 p.m. ET: LAKE BUENA VISTA, Fla. – As we finish our first day at Disney World – a day that began at 6 a.m. with a wake-up call so we could be at Animal Kingdom by 7:30 and one that ended just a few minutes ago as the kids fell into an exhausted slumber – I have one big reflection.

With the kids finishing first grade, I have begun to think, as I so often do, about the regret that they’re getting older and getting one day closer to outgrowing the little kids they are. B and J claim they’re big kids, but they’re not. Not really.

They still wake us up in the middle of the night when they have a bad dream, and they still need us to carry them up to their rooms and brush their teeth when they fall asleep in the car. But someday, their 3 a.m. visits will cease. Some day, they’ll just walk upstairs themselves and go to bed without so much as a good night.

About a week ago I read a story from a mom blogger about how she’s haunted by the thought that one day she’ll put her kid down, and never pick them back up again. I don’t think we’re anywhere near that moment with B and J – they still, after all, love to be carried around – but in the next couple of years, surely that moment will pass without me realizing it until it’s too late.

But on this day, with the kids blasting out a 14-hour day at Animal Kingdom like big kids, I got to feel that moment when a 7-year-old can still be just a little boy.

We were on Expedition Everest, one of the scariest rollercoasters in the place (and one that made me totally nauseous – going backward really fast on a thrill ride is no longer for me). The first part of the ride is relatively tame with not much of a major drop and not much speed, and I convinced J to put his hands in the air as he screamed in delight.

But a minute later, he was frightened, and he reached out with his hands, grasped my arm and pulled it toward him. He was holding on to me like his life depended on it. And it was so cute and so suddenly sweet that, for a second, I forgot that I was getting majorly motion sick.

A few hours later, he did the same thing again on the Dinosaur ride. It’s not that scary, but a couple dinosaurs do jump out at you and make loud roars. J insisted on riding in the seat on the end, even though Mom told him he could sit next to his sister in the middle of the car between her and me. But again, he was frightened, and he said that if he ever went back on the ride, he would want me to sit on the outside.

It was so refreshing. And probably just as comforting to me as it was to him. We’re in a place where a kid can truly be a kid, where the kid shouldn’t want anything more, where a kid should feel all right reaching out for his father’s hand when he’s scared and needs it most. Big kids need that too.

June 7, 3:59 p.m.: While eating a cinnamon roll that was about the size of his head, J had an important declaration to make today. “I think the best vacation in the world is a Disney World vacation.” Really, I asked? But why?

“It has parks and fun rides,” he said.

Disney World is great and all, but it was probably the sugar high talking.

 

June 8, 9:12 p.m.: After we went on Spaceship Earth for the second time today (and as the last attraction before we left Epcot for good), B couldn’t stop talking about the postcard from the future we had made. It featured Daddy and B in the future, living together as we ate breakfast at a pop-up table in the kitchen, got dressed by some kind of algorithm that picked out our outfits and took a hover train to our respective jobs that stopped in front of our house and connected us directly onto the back of a centipede-like train.

Anyway, it was a cute video that we helped select on a kind of choose-your-own adventure screen at the end of the ride. But damn if it didn’t tickle B. The video was about 30 seconds. She literally told and retold the story for about 30 minutes.

June 9, 2:10 p.m.: We had our second character meal of the trip today.

The first occurred at Epcot yesterday when we traveled to Norway to eat brunch with five princesses (Belle, Aurora, Snow White, Cinderella and Arielle). Most importantly, the restaurant served us about 20 pieces of bacon (I ate all of them, and so far, it’s my greatest accomplishment of the year).

The second occurred today at the Contemporary hotel where we had a character brunch with Mickey, Minnie, Goofy, Pluto and Donald. I wondered if these were the last times we’d attend a character meal. Assuming we return to Disney in a couple years, will the kids be too old at, say, 9 or 10 years old to appreciate meeting and taking pictures with big costumed characters?

There’s no telling, but here’s what I know. On this day, B and J believed. B wore her Minnie dress, and she was so pleased that Minnie seemed so excited that B was basically her twin. And when B hugged Minnie and when J wrapped both arms around Pluto, the love was real. B and J hugged with an intensity I didn’t expect, and it was so cool to see, especially if this is the last time we do this.

Goofy and Pluto both twirled B around like she was Minnie Mouse herself. Pluto waited patiently (and pantomimed that he was, in fact, impatient) while J swallowed his Mickey waffle before the photo. And both kids gave all their love and affection to Mickey.

If this was the last time, that’s OK. It was also the best time.

June 9, 9:55 p.m.: As a parent, there are some moments you wish you could bottle forever. Most of those moments, you end up forgetting.

I had one of those moments with J on our final day at Disney.

It had been a tough evening. Seemed like everybody was annoyed with each other. B was cranky. J’s feet hurt. The ice cream had run on people’s fingers and sloshed on people’s clothes. It was time for the trip to be over.

But with one last thing to do, J reminded me why we had taken the trip in the first place. As we began watching the night’s final show – an outlandish video montage broadcast unbelievably on Cinderella’s castle in the Magic Kingdom – J wanted me to pick him up because he didn’t have such a good view while sitting in his stroller.

I didn’t really want to have to hold this 50-pound boy for the 15 minutes it would take for the show to finish, but I sucked it up and said OK. Then, as Mrs. Potts and Chip began to tell the story that would glitter across the castle, J leaned his face into mine and rested his cheek on my cheek.

And I was transported back to our bedroom in Cincinnati at 3 a.m. in the first few months of the kids’ lives when we’d have to feed them every three hours and I’d hold them against my face for just a few extra seconds to make the world stop. So I could bottle that moment and let it breathe for only a couple moments.

Tonight, J was initiating the contact. He was putting his face on my face and watching the wonders of Disney, watching the true magic of the world. You wish you could bottle those moments, but you can’t. I write about them, and some day, the kids will read about them. J probably won’t remember this moment. But I hope I will. Because it was the moment that makes everything worth it.

Kavitha Davidson, Bloomberg sports columnist

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In our second podcast of 2015, we’re back to exploring the journey that female sports writers and broadcasters have to face on Twitter. Coming off the controversy a couple months back in Chicago when two radio personalities publicly discussed a TV sports reporter’s body, we’re talking to Kavitha Davidson, sports columnist for Bloomberg who writes plenty of controversial stories that lead to plenty of unwanted responses on Twitter. During our chat, we talk about whether she questions why she continues to write despite a backlash she knows she’ll face on just about everything she writes, what she believes rape culture to be, and how exhausting it is to cover the never-ending domestic violence issues in sports.

We also talk about whether, because of Mo’ne Davis and Ronda Rousey, we’re entering the era of badass female athletes and whether that could help change the culture.

Interviewed on 3-30-15

I actually ended up writing a story for the Daily Dot about the experiences shared by Davidson and other women in sports media.

Here’s something similar:

We reference Jessica Luther a few times on this episode and because I also wrote a story for the Daily Dot that included Davidson and Luther, here’s my chat with the latter in Episode 45.

Laura Kaye, romance novelist

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For the first time in MTTS history, we’ve got a romance novelist on the line. And what an interesting interview with Kaye, whose website is available for perusal. In our chat, we talk about how she generates so much damn content (22 completed books since 2011 with a goal of 3,000 written words a day), how a traumatic brain injury gave her a strong creative urge and changed her entire career path, and how an independent author has to worry about being seen by her original fans as “selling out.”

Plus, we talk about why the romance novel industry continues to sell plenty of hard copies of its books, and (perhaps most importantly) we talk about how she approaches writing a sex scene (no “purple-headed warriors” or “throbbing members” stuff here).

Interviewed on 12-10-14

Here’s something similar:

One of my college buddies, Colleen Oakley, published her latest novel, Before I Go, on Tuesday. It’s getting great reviews, and you can buy a copy right here. We also had her on Episode 6 of the MTTS.

Don Van Natta, ESPN investigative reporter

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For the second-straight week, the MTTS welcomes a multi-time Pulitzer Prize winner. This time, we have ESPN.com’s Don Van Natta, who’s won three (!) of those awards. In our chat, we talk about how Van Natta could take notes in the midst of a 165-mph hurricane and then churn out a 1,400-word story that helped his newspaper win the Pulitzer, why he turned to sports writing after so many years as an investigative newshound at the NY Times, how over-reporting can help and hurt his stories, and how an investigative reporter spends his days.

Plus, we recount our experiences trying to report and write separate biographies of Sid Gillman at about the same time, and we talk about how tough the book-writing world can be.

My favorite quote from the podcast on how Van Natta operates: “You have to report with insecurity, and you have to write with overconfidence.”

Interviewed on 12-1-14

Here’s the Comfort Inn/Hurricane Andrew story from the Miami Herald we referenced early in the podcast.

And here’s where to sign up for Van Natta’a weekly Sunday Long Read choices.